Monday, 2 December 2013

Opening shot plans

Opening scene:

The first shot is going to be of the phone the character is using to text her friend to ask him to help her, this will be a extreme close-up to show you the object of importance. As she is asking for help, this leads the audience to believe she is a victim.

You then get a medium to long shot of her standing against a wall with her phone in her hand which tells the audience who was texting, it also shows the audience what she looks like. This shot is particularly blurry  which is a consequence as it doesn't make it as clear what the character looks like and her surroundings. If we had time, we would re-shoot this particular long-shot. 

You then see her leaving where she is and walking round the corner into an alleyway and the narrating begins, this will be a long shot to tell you the location of this particular character (which will be an alleyway). The character who was on her phone is going to be narrating throughout the opening scene. 

The first thing the voice over of the character says will be “I know they are after me” once she enters the alleyway, this will be a long shot still to show that she is now down the alleyway. In this shot you will see her worrying about the fact that people will after her, as portrayed in her expression.

After she says this a flashback of her feet will be shown to to intrigue the audience and make them wonder where she has come from, leaving the audience to question this character. The shot of the feet running will be in black and white. This is to show the audience that this particular shot was from a different time period from the other shots seen previously that are in the present, suggesting that this is her recalling something from the past. This is an action shot. (This shot has been removed due to the film being too long because of the other shots we still had to add in)

The following shot will be her back in the present, her facial expression still expression signs of terror, giving the idea that something traumatic has happened, and she might be running away from something that has frightened. This particular shot will also have a voiceover. (This shot has been removed now due to the film being too long)

The next shot is a flashback, this will be of a sign of a mental institution telling the audience the question of what they may have be wondering before which was where or what was she running from. This shot gives the audience the information about the protagonist as well, informing you that she might be clinically unstable.

The next scene will show her eyes, moving left to right. This shows that she is looking for something, or in this case, somebody. This builds tension as you start thinking what is it she is looking for? and is that the reason she has run away from the mental institution. In this shot diegetic sound of breathing will be used.

Following this, there is another flashback of her running through the trees. However this flashback differs from the rest as while she runs through the forest, the person holding the camera is running with her, to give the effect that someone is chasing her.

After that scene it goes to her back in the alleyway where she is starting to freak out over the fact that she is recalling what happened, therefore she will be pacing up and down. This will be a long-shot to show her movement. She then says that “I know I wasn’t safe there, that’s why I had to go”.  (This shot has now been removed however due to our film being too long)

In this scene you will see a flashback that has been split up into three different parts. The first shot will show her running off into the distance to show how far she has run from the mental institution.

I really liked these shots, however they were too similar to the present day shots and therefore had to be changed. I changed these shots to this one which I took of myself writing in a diary. This will give let the audience know why she is looking for her diary as it has the writing in it about her first seeing the antagonist. This shot was taken in back and white to show that this is a flashback shot. This shot is a close-up, it's a close-up to show that this is a code enigma code, and that it is an object of importance even though the audience aren't yet quite sure why this diary holds so much importance.

Here is the shot of the diary she writes in:

This particular shot is a high angled shot. This shows the mise-en-scene, including the surroundings that the characters are in, the car the characters drove in, and also it shows the action as you see Anna Dylan run away. This is the last ever shot taken, leaving

This is another one of my favourite shots as it is an over the shoulder shot. This particular shot you see in the antagonist (Robert Graysons) POV, looking down on Anna Dylan. This shot makes Anna Dylan look like she isn't as good as him as he is looking down on her making her look insignificant which is the type of shot I wanted to create.

Here there is a shot of Anna Dylan and the antagonist behind her, this is enigma as it leaves the audience questioning who this person is behind her and it they are dangerous. This builds suspense as you see the anguish and worry wash over Anna's face which makes the audience feel that they should also be worried of this man. This point in the opening scene is crucial as it shows that Anna is not the antagonist - she is the protagonist. It also introduces a new character immediately showing that he is a villain as he is coming after her. As robert Grayson is introduced second it means that the audience have already had a chance to emotionally relate to the main character Anna. Furthermore making the audience feel worried for Anna as they know her better.

Importantly, the house behind Robert Grayson is red which is a connotation for blood and anger. This reflects the character of Robert as he has killed a girl and also is a psychopath with anger issues.

Here is a shot I'm talking about:

This shot is another one of my favourites as it is an extreme close up of the villain talking which shows his features but not all of them, leaving mystery to the audience on a cliff-hanger adds suspense. This type of shot is used a lot in psychological thrillers to not give the antagonist away too much yet, building tension slowly.

Here is the shot i'm talking about:

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